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oneweekoneband:

The Crickets - Rock Me My Baby

Final track from The “Chirping” Crickets (1957)

I wasn’t around, but it definitely seems like the dawn of rock’n’roll was represented more in singles than in full LPs— Elvis’s Sun singles, Chess 45s, one-hit jukebox tunes, and so on. But The “Chirping” Crickets stands as arguably the most essential non-compilation LP of early rock’n’roll (although Elvis Presley and Here’s Little Richard are also big exceptions to that rule). That early Buddy Holly growl, that danger coming from this skinny, nerdy Texan, is jarring in its power. I mean here’s a guy who looks like the long-held stereotype of “poindexter,” but he sounded just as primal and lustful as “Heartbreak Hotel” Elvis in the verses of “Not Fade Away”. Also, The “Chirping” Crickets is a veritable hit parade: “Oh Boy!”, “Not Fade Away”, “Maybe Baby”, and “That’ll Be The Day” all fit in the album’s 30 minutes (and that’s not including “Lonesome Tears” and “It’s So Easy” on the remastered edition).

But when I thought about favorite album closers, the final two minutes of The “Chirping Crickets” were a gimme— “Rock Me My Baby” is basic, elemental rock’n’roll that’s a perfect bookend to the album. Keep in mind that this is before album closers had to live up to “Tomorrow Never Knows” or “You Can’t Always Get What You Want”. On The “Chirping” Crickets, it just needed to be a good cool down from the energetic songs while also serving as a pick up from the teardrops ballads. It’s a golden age rock’n’roll plea for love and sex behind that (at the time) omnipresent euphemism “rock me.” Buddy’s guitar solo brings to mind those “Grand Ole Opry” country solos— simple, dynamic, and close to the melody— but the real highlight is the chorus: “Rock-a-lock-a-hickory-dickory-dock! / Rock-a-bye my baby! / Up and down, around the clock, / Well-uh rock-a-me my baby!” There’s a bare bones schoolyard elation to that chorus that’s perfect for The “Chirping” Crickets.

Of course with any joyous (or sad, or really any) Buddy Holly song, there’s that bittersweet moment where you think about how young he was when he passed. He had two years of recorded output and then he died. That’s just three albums and some singles. It’s easy to play “what if”— Chuck Klosterman does a nice job of that in Killing Yourself to Live— but sometimes, it’s just nice to soak up what we have. The “Chirping” Crickets is an amazing document of what the man was capable of, and there’s rarely been a more fun send-off to an album than “Rock Me My Baby”. Go ahead and give it a spin— it could be the most fun two minutes of your day.

Evan Minsker

(Evan previously wrote for OWOB about Ty Segall)


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popbrit:

Blur - Star Shaped (acoustic).

(via musicfeast)


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themooosickworkshop:

Maximum Balloon - Communion (feat. Karen O)


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theantidote:

Burial - Shell Of Light (Shlohmo Remix)


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oneweekoneband:

So you’re probably curious as to what music produced by the Oramics system sounded like; here’s an example, “Pompie Ballet”, from 1971. According to the Oramics liner notes, “no further details are known”.

If you didn’t know what you were listening to, you might at first thing you were listening to a string chamber music ensemble recorded at the end of a very long hallway. But the closer you listen to it, the more the sound takes on a quality not unlike that of a pipe-organ. About 1:15 in, you start getting the really odd sounds and atonalities, not immediately recognizable as a known conventional instrument and distinctly unlike most of the synths familiar to modern electronics aficionados. I find the Oramics sound to be much warmer and softer than many analog synths; there’s hint of reverb and a delicacy of tone that’s really unique. 

Daphne Oram is undergoing a bit of a rediscovery at the moment, beginning with the Paradigm release of Oramics; currently, the exhibit “Oramics to Electronica” is running at the London Science Museum. There you may see one of the original Oramics machines, just one part of the last fifty years of electronics music history. And coming soon is The Oram Tapes, vol. 1—the first release from an enormous archive of previously unreleased material. 

References:

Daphne Oram: Oramics. Paradigm Discs, 2007. Liner notes by Jo Hutton, Daphne Oram, Alan Douglas.

http://www.sciencemuseum.org.uk/ORAMICS


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milessmiles:

Leroy Smart and I-Roy—“Jah Is My Light (Wicked Eat Dirt 12” Mix)”

Niney the Observer:  Microphone Attack 1974-1978 (Blood and Fire 2001).

(via milessmiles-deactivated20111225)


franknbeats:

Peaking Lights-Amazing and Wonderful. (by natasja123456)

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tonguedepressors:

R. Jenkins & the Dayton Harmonaires - Put Your Hand in the Hand

from This May Be My Last Time Singing, Raw African-American Gospel on 45RPM 1957-1982


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bojifrusciante:

Fuck Buttons - Surf Solar


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terradrome:

Wagon Christ - Shadows


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magnificentruin:

Sunset Rubdown - Us Ones in Between 


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milessmiles:

Fugazi — Merchandise

Repeater + 3 Songs (Dischord 1990).

(via milessmiles-deactivated20111225)


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